Submissions from 2023
Aloha Japan: Staging Hawaiian Culture, A. Anuheaokalani Noriko Breeden
Submissions from 2022
“Living as Art”: Performance and the Haunting of the Japanese Diaspora, Hana Tanabe
Submissions from 2018
Caught Between Two Empires: The Jewish History of Harbin, 1898-1945, Hallie Carmen
Submissions from 2015
Navigating the Shifting Winds of Activism: The Woman's Reform Society's Movement, Jier Yang
Submissions from 2014
A New Voice for the Third Space: Xu Bing and the Redefined Chinese American Art, Joy Chiang
Between Home and Homeland: Exile in Contemporary Chinese Literature, Catherine White
Submissions from 2013
Engendering Modern China: Visual Representations of the PRC, Jennifer Lee
Poison Woman, Revolutionary, Warrior Girl?: Reconstructions and Reinterpretations of Abe Sada in Film and Literature from the Twentieth Century, Andrea Mendoza
Rock and Roll and its Cultural Legacy in Post-Socialist China, Cameron Ruscitti
Submissions from 2011
The Okayama Orphanage: A Case Study for Social Reform in the Meiji Era, Asia Bento
Outfitting Modernity in Imperial Japan, 1868-1937, Karlee Keyser
Submissions from 2008
A New Tradition: Legitimizing the Authority of the Tokugawa through the Hands of Japanese Neo-Confucians, Daniel S. Keiser
Submissions from 2006
We All Fall Down: Self-fulfilling Prophecies and the Minority Question in China’s Educational Policies, Lauren A. Burke