Document Type

Magazine

Publication Date

Spring 1979

Comments

The Connecticut College Journal of the Arts and Sciences

Editor in Chief: Judith A. Newman

Editors:

  • Christopher M. Colbert
  • Steven Schaffer
  • Jordan Trachtenberg
  • Lawrence H. S. Yahia

Production Manager: Lawrence M. Weilgus

Production Staff:

  • Scott Bauer
  • William Butterly
  • Thomas M. Connelly
  • William H. Davis
  • Emily Grabel
  • Hilary Henderson
  • Terri Huggett
  • Amy Kalberer
  • Stephen Litwin
  • Andrew Mahoney
  • JoAnn Siff

Graphics (Cover Design): Melissa Eleftherio

Faculty Advisory Board:

  • William Frasure
  • Helen Mulvey
  • Minor Myers
  • Philip Ray
  • Scott Warren

Printed by: Nelprint Inc., New London, Connecticut

Helicon wishes to express its deepest gratitude to President Oakes Ames for his generous contibution and help,to Dean Alice Johnson for her constant support and to the Special Events Committee for their generous loan.

Copyright © 1979 by the Connecticut College Journal of the Arts and Sciences.

TABLE OF CONTENTS:

  • T.S. Eliot and Thomas Mann: The Decline of Western Civilization - Evan Stone
  • Adam Smith: An Historical Misconception - Noah Sorkin
  • Progressive Nationalism and Its Occurence in Rhodesia - Andrew Rodwin
  • French Communism: Modified Marxism? - Anthony Bowe
  • The Theme of Moral Reckoning in Gunther Grass' Cat and Mouse and The Clown and Billiards at Half Past Nine by Heinrich Boll - Susan Denney

These digital collections have been created from historical documents that reflect the sensibilities of creators in historical times and may contain opinions, language, images, or other content that modern readers may find offensive. The Lear Center and Connecticut College do not endorse the attitudes expressed therein. The Lear Center presents these documents as part of the historical record and recognizes the imperative not to alter it. In some cases, it may be possible to add notes or comments correcting verified errors, but these exceptions will not be applied in a way that changes the appearance of the authentic record.

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