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Abstract

The Manifiesto teatral by the machado brothers has been preserved ín at least three different versions, which, according to some scholars might have been written either by both brothers or only by Antonio. The author of this article examines the Manifiesto and brings to light several important points of it, underlines several Machados' theatrical principies and emphasizes the modernity of their theatre.

El Manifiesto teatral de los Machado se nos ha conservado en, al menos, tres versiones distintas, atribuidas por los estudiosos a los dos hermanos o a Antonio en particular, la autora examina ese texto y saca a la luz diversos datos, a la vez que interpreta las ideas teatrales de los Machado y destaca su esencial modernidad.

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