Desde su creación en 1992, Teatro se ha especializado principalmente en investigación en la teoría, historia y práctica del teatro, aunque siempre prestando atención especial a los modelos teóricos relacionados a la génesis socio-cultural del lenguaje artístico y su interdependencia. En la actualidad, la revista solo publica volúmenes editados. Teatro también publica ocasionalmente series de trabajos creativos, Teatro: Coleción Textos/Creación, el cual puede ser encontrado en http://digitalcommons.conncoll.edu/teatro_obrascreativas/.
From its founding in 1992 Teatro, has specialized primarily in research on the theory, history and practice of theatre, although always paying special attention to the theoretical models related to the socio-cultural genesis of artistic language and their interdependence. Currently, Teatro just publishes invited submission in edited volumes.
Teatro also publishes an occasional series of creative works, Teatro: Colleción Textos/Creación, which may be found at http://digitalcommons.conncoll.edu/teatro_obrascreativas/.
Current Volume: Volume 37 (2024) Theatre’s Method from Early Modern to (Post) Modern: Reader, Director, Actor, Spectator/Critic
Complete Issue
Theatre's Method from Early Modern to (Post) Modern: Reader, Director, Actor, Spectator/Critic
Susan L. Fischer, Grace M. Burton, Lisa Jackson-Schebetta, Esther Fernández, Bárbara Mujica, Denis Rafter, Isaac Benabu, and Bruce R. Burningham
Articles
Calderón’s El médico de su honra: A Cubist Reading
Grace M. Burton
To Take Up the Bodies: Staging Possible Worlds in Ana Caro’s The Courage to Right a Woman’s Wrongs
Lisa Jackson-Schebetta
Casting Castaño: Sor Juana and Gender Performativity on Stage
Bruce R. Burningham
Editors
- Susan L. Fischer, Professor Emerita of Spanish and Comparative Literature at Bucknell University
- Grace M. Burton, Associate Professor of Spanish at Skidmore College